Moving image language
Mis-en-scene – a
French term meaning what is put into a scene or frame.
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Visual information in front of the camera.
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Analyse anything you see on the screen.
The 5 elements of mis en scene
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Settings
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Props
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Costume, hair and make up
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Facial expression and body language
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Lighting and colour (lighting technician)
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Positioning
Each aspect of mis en scene has hidden meanings within a
film and sends signals to the audience about how we are supposed to feel at a
certain point.
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Iconography
Props can give the audience a first impression of the time
of the film and when it was made. Modern or old fashioned.
Actions films would include – guns, big cars, explosions
Horror films – clown masks, knives
Science fiction films – different planet, rockets etc.
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Costume and make up can indicate a characters
personality, status and job (It tells us whether the film is set in present and
what society/or culture it will centre around.)
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Facial expressions provide a clear indicator of
how someone is feeling (If someone is smiling broadly, we will assume that they
are happy but we may get a different feeling if this accompanied by scary
music)
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Positioning of characters and objects within a
frame. (A film maker can use positioning to indicate relationships between
people.)
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Colour carries certain connotations which may
add meaning to a scene i.e red=danger/blood.
Lighting and colour
– to highlight important characters or objects within frame.
To make characters look mysterious by shading sections of
the face and body.
To reflect a characters mental state/hidden emotion i.e.
bright = happy , dark=disturbed.
Low-key lighting is created by using only the key and back
lights, it produces sharp contracts of light and dark areas.
High-key lighting uses more filler lights, lighting is natural
and realistic to our eyes.
Reason to have hair light is to separate things from the
background, so that the spotlight is on you.
The key light is the most important and brightest.
Hair light could be called a backlight.
Sound:
Diegetic sound: any voice, music passage or sound effect
presenting and originating from a source within the film’s world.
Non diegetic – if it originates outside the film (as most
background music).
A voiceover would be non-diegetic.
Sound bridges can lead in and out of a scene. They can occur
at the beginning of one scene when the sound from the previous scenes carry
over briefly.
Pleonastic sound is exaggerated sound is usually exaggerated
through the use of Foley sound
Foley is the process of putting together film and video
games, gunshots, handling guns etc.
Contrapuntal sound- sound that doesn’t easily match the
images they are accompanying, or even run against them. This can have a quite
disorientating effect upon the audience and make them question what they are
seeing. – American beauty – dinner scene.
Silence – even when there is no sound this can create an
impact
Dialogue – the tone, pitch and volume of actor’s voices can
all contribute to the meaning of a scene
Dialogue without sound creates a tensed and powerful
feeling. – No country for old men.
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Cinematography- the way in which the camera is
used to communicate meaning
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Composition of visual elements.
Made up of shots angles and movements lighting can also be
included.
The framing of a shot simply indicates where the
cinematographer has placed the borders of an image.
Close up to show facial expressions and sympathy. A close up
can make the audience feel closer to the character or repulse.
An extreme close up identify details that you wouldn’t
notice in a normal shot. It calls attention to the subjects, making them more
memorable visually.
Two shot allows you to see two characters together to sense
what relationship they have together.
The two shot can show harmony or disharmony depending on the
issue.
Over the shoulder shot allows you to understand the relation
between the character and what they are looking at. The physical information
can be used to convey information about the relationship.
Point of view – puts you in the characters footsteps, making
it look like you are in the scenes.
High angle – a high angle shot makes the subject appear
small and vulnerable.
Low angle – this shot makes subject appear larger than life.
It transfers power to the subject, making it appear to dominate objects beneath
it.
Pan – a pan shot is a horizontal movement of the camera from
left to right.
Tilt shot – the tilt shot is a vertical movement of the
camera from top to bottom.
Tilt and pan movements are on an axis
Editing
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Montage - a montage is created through an
assembly of quick cuts. It helps to communicate a larger idea and it can
compress time. (citizen kane)
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Parallel Editing- this occurs when two scenes
are shot in sequence but presented by cutting back and forth between them. This
creates a sense of two actions occurring in two different scenes.
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Split screen – runs two shots side by side
within a single frame. a split screen creates an idea of action.
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Dissolves – a form of transition, this allows
you to get from one scene to another.
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Elliptical editing- the use of transitions such
as cuts or dissolves to compress time eg. In Batman Begins, Bruce Wayne has an
onscreen time of 1min 38 seconds of which he climbs a mountain.
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Graphic match – graphic matching is when a scene
links to another scene using the same scene or colour, this can occur with the
use of a cut or dissolve.
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Rhythm and Pace - editing sets the rhythm or pace of a scene,
this could be detected by either the scene or the music used to create the type
of mood that is trying to be created. To build up tension in a scene you might
cut one shot to another very quickly.
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Long take- a long take of film with no cuts or
editing done to the scene.
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Jump cuts- quick jerky cuts, travel quicker or
create disorientation.
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Match cut – is used to follow the movement over
a person or object.
Examples-
Mis en Scene and Lighting-
mis-en-scene is used in this film poster to give a an image of all the
characters in the film. For example Noel Clarke (Sam in the film) is holding a
baseball bat, this automatically puts an image in the audiences mind that he is
a violent character in the film. They have a mixture of dark lighting and
daylight in the poster, as you can see that Sam is holding the baseball bat and
the lighting is quite dark on his side where as ‘Trevor’ on the left hand side
plays a very calm and innocent role in the film which could be why the lighting
is more brighter on that side.
Split Screen – split screen is used in one of the scenes in
the film Pillow Talk (Michael Gordon). They have used this to show two couples
on the phone to each other but are in different locations doing the same thing,
they have used this to indicate ‘Romance’.
Point of View – this shot is used to put the audience in the
characters footsteps. The image below has used the shot to let the audience
have the same view as the character cycling along the countryside.
Foley Sound – this sound effect is used when putting a film
or video game together using the sound of handling guns or heavy footsteps.
They have used Foley sound in the Gladiator(Ridley Scott) trailer to make the
audience feel the tension by hearing the heavy footsteps of the horse.